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ABOUT JULIE
biography
Thirty–two years ago, filmmaker Julie Dash broke racial and gender boundaries with her Sundance award-winning film (Best Cinematography) Daughters of the Dust. She became the first African American woman to have a wide theatrical release of her feature film. The Library of Congress placed Daughters of the Dust and her UCLA MFA senior thesis, Illusions, in the National Film Registry. These two films join a select group of American films preserved and protected as national treasures by the Librarian of Congress.
A recent poll of international film critics and the British Film Institute have ranked Daughters of The Dust #60 out of the 100 Greatest Films Ever Made.
Julie Dash is known for her visual investigations of issues racial justice, diasporic identities, migration and black women across films, video and museum installations. A Dash of Excellence was held at the International African American Museum in Charleston, SC. In 2024. Seeking: Mapping Our Gullah Geechee Story, written and directed by Dash and produced by the Ummah Chroma Creatives, opens in the International African American Museum in Charleston, SC. In this same connection, Julie Dash awarded Joseph R. Biden’s President’s 2022 Lifetime Achievement Award for a lifelong commitment to building a stronger nation, the highest civilian honor for volunteer service in the United States.
Dash designed several rooms for the Metropolitan Museum of Art and VOGUE, In American: An Anthology of Fashion, featured at the NYC Met Gala 2022. She produced and directed a promotional fashion film for VOGUE magazine online with Chloe x Halle. Her recent television episodic work includes Reasonable Doubt seasons one and two for Disney+/ Hulu, the ABC limited series Women of The Movement, Our Kind of People for FOX/Hulu, and Queen Sugar for OWN TV.
Dash hosted The Golden Years, a series for Turner Classic Movies. Before that, she delivered the Rajiv Vaidya Memorial Lecture for the National Gallery of Art. She was a presenter with Angela Davis for the Princeton University Combahee Experiment and the Academy Dialogues with Ava DuVernay and Euzhan Palcy. She was the moderator for Conversations That Matter with Nikole Hannah-Jones and a panelist for The Directors Guild of America. Dash is the recipient of the Special Award at the 82nd New York Film Critics Circle, the 2017 Women & Hollywood Trailblazer Award, the 2017 New York Women in Film & Television MUSE Award, The Ebert Award, and inducted into the Penn Cultural Center’s 1862 Circle on St. Helena Island.
Dash has written and directed for CBS, BET, ENCORE STARZ, SHOWTIME, MTV Movies, HBO, DISNEY’S HULU and OWN Television. Her long-form narrative films include the NAACP Image Award-winning, Emmy, DGA nominated, The Rosa Parks Story, Incognito, Funny Valentines, Love Song, and Subway Stories: Tales From The Underground. Her work as a film director includes museum and theme park exhibits and design for Disney’s Imagineering, Brothers of the Borderland for The National Underground Railroad Freedom Center Museum, and Smuggling Daydreams into Reality at the Indianapolis Museum of Art. Her most recent museum installations include Standing at The Scratch Line at the Philadelphia Museum of African American History and the Philadelphia Museum of Art and Shine a Light, a large-scale video mapping projection for the Charles H. Wright Museum in Detroit.
Dash has several documentary projects in the works, including Travel Notes of a Geechee Girl, a feature-length documentary in progress about Vertamae Smart Grosvenor, a world-renowned author, performer, and chef from rural South Carolina.
Julie Dash is a Fulbright Scholar who earned a BA in Film Studies from the City University of New York, an MFA in Screenwriting at the American Film Institute’s Center for Advanced Film Studies, and an MFA in Theater Arts (Film & Television Production) at UCLA.
Julie Dash is the Diana King Endowed Professor in the Department of Art & Visual Culture at Spelman College.
Directors Guild of America (DGA)
Academy of Motion Picture Arts & Sciences (AMPAS)
Represented by Creative Artists Agency (CAA), Los Angeles, CA.
DGA, AMPAS
Representation:
Creative Artists Agency
2000 avenue of the stars | 424.288.2000
william.brown@caa.com
Please Note: We do not accept unsolicited screenplays
PUBLICATIONS
BOOKS
Inspired by her Sundance Festival award-winning film “Daughters of the Dust,” Julie Dash has put her cinematic vision on the page, penning a rich, magical new novel which extends her story of a family of complex, independent African-American women.Set in the 1920s in the Sea Islands off the Carolina coast where the Gullah people have preserved much of their African heritage and language, Daughters Of The Dust chronicles the lives of the Peazants, a large, proud family who trace their origins to the Ibo, who were enslaved and brought to the islands more than one hundred years before.
Daughters of the Dust: A Gullah-Geechee Novel Audible Audiobook– Unabridged
Daughters of the Dust: A Gullah-Geechee Novel Kindle Edition
Daughters of the Dust Hardcover – October 1, 1997
Daughters of the Dust: The Making of an African American Woman’s Film by Julie Dash Hardcover – January 1, 1867
Teaching Daughters of The Dust
Documentary Film Work
Travel Notes of a Geechee Girl Trailers
My Marlton Square – Documentary Short
JOURNALS
Film Quarterly (2016) 70 (2): 49–57.
RESEARCH ARTICLE | DECEMBER 01 2016
Invisible Scratch Lines: An Interview with Julie Dash
Maori Karmael Holmes
https://doi.org/10.1525/fq.2016.70.2.49
Museum Installation
Metropolitan Museum, NY
Installation
Mdm. ETA HENTz GREEK REVIVAL ROOM
Greek Parlor
Designer
Julie Dash
Producer
Rachel Watanabe-Batton
Production Artist
Elizabeth Colomba
Headpieces:
Stephen Jones
Props
Michael Jortner, Alex Karasz, Natalie Loveland
Production Consultant
Quinn Corte
Floral
Ariel Dearie, Serena Abraham
Lighting Design
Bradford Young
Lighting Technicians
Christian Epps, Sammy Ross
Lighting Programmers
Charlie Winter, Jessica Stevens
A/V Consultant
Moey Inc.
Mannequin Customization
Flladi Kulla, Frank Glover, Studio EIS
Special thanks
Eartha Kitt Family
Orson Welles, "Time Runs," An Evening with Orson Welles (and Eartha Kitt), August 1950
Greek Revival Parlor
Orson Wells was an American director, actor, writer, and producer who rocked the airwaves in 1938 with his radio broadcast War of The Worlds. He was also widely considered one of the greatest and most influential filmmakers of all time. In the 1950s, Orson Wells staged a production of Helen of Troy, and Eartha Kitt, an African American chanteuse, a star of stage and screen, took on the lead as the mythological daughter of Zeus. Orson Wells was bold, a risk-taker, a filmmaker, and an American iconoclast. In that same connection, we will follow his lead…
For the Greek Revival parlor, I intend to stage Helen of Troy with Mdm. Eta Hentz’s original formal gowns, and the square-jawed face of the sultry Eartha Kit are prominent on the Helen mannequin.
Mannequin poses will reflect the early Helen of Sparta (holding a golden apple) in conversation with her conversion to Helen of Troy (in the shadow of a Trojan Horse).
LOCATION AND PERIOD
Bronze Age (1300 BC)
Myrcene Warrior Society
COSTUMES
Mdm. Etna Hentz’s diaphanous robes and dresses
MANNEQUINS
Hera (presenting the golden apple to Helen)
Athena
Aphrodite
Helen (in flight, running, looking over her shoulder)
HAND PROPS FOR MANNEQUINS
Golden Apple
Tray of green olives
Pandora’s box
B&W FILM PROJECTION
(through windows, as if it’s playing outside)
Helen of Troy (1924)
German silent drama directed by Manfred Noa
One of the most ambitious epics made during the silent era, all prints of this motion picture have disappeared, but there is a digital version on YouTube. Most motion pictures produced in the 1920s are now public domain (see attached Mp4).
FLOATING DOWN FROM CEILING
Notions of a warrior culture
Mythological Greek creatures
Cherubs with bows & arrow
Museum Installation-metropolitan Museum, NY
ANN LOWE DESIGNS INSIDE THE RENAISSANCE REVIAL ROOMat
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Installation
THE RENAISSANCE REVIAL ROOM
ANN LOWE_ORIGINAL DRESSES
Director
Producer
Production Design
Costume Design Renditions
of Ann Lowe
Draped Sinamay Veils and Dresses Designer
Design Assistants
Headpieces
Veiling
Props
Prop Dressmaker
Production Consultant
Floral
Lighting Design
Lighting Technicians
Lighting Programmers
Special Thanks
The Academy Museum of Motion Pictures
Jacqueline Kennedy and Olivia de Havilland Families
Julie Dash
Rachel Watanabe
Shane Valentino, Shoko Kambara
Elizabeth Colomba
Ashaka Givens
Ashaka Givens
Penelope Webster and Ben Klemes
Stephen Jones
Ashaka Givens, Penelope Webster
Michael Jortner, Alex Karasz, Natalie Loveland
Claudia Diaz
Quinn Corte
Ariel Dearie, Serena Abraham
Bradford Young
Christian Epps, Sammy Ross
Charlie Winter, Jessica Stevens
Greek Revival Parlor
The cinematic display inside the Renaissance Revival Room is about assigning value and worth to individuals and how the designs of Ann Lowe relate to the history of American fashion. Lowe designed exquisite gowns for some of the most prestigious families in the nation. She fashioned the majestic wedding gown for Jacqueline Bouvier’s marriage to John Fitzgerald Kennedy. Lowe also designed the gown Olivia de Havilland wore for her Academy Award win in 1947. Despite all this, and due to the prevailing racial bias of her time, Lowe received limited public recognition for her work. Sometimes there was no acknowledgment at all. The designer was shrouded in secrecy, masked and hooded; invisibility was the cloak she wore, and yet she persisted. I close my eyes and see West African Egungun dancers inside the Renaissance room. Each beautifully masked mannequin covered with a diaphanous fabric represents the visible manifestation of Lowe attending to her original designs. We celebrate Lowe’s creativity and courage with this remembrance and blessing.
MEDIA projection
Wright Museum, SHINE A LIght
video projection and mapping project, detroit 2018
shine a light/Detroit elders project
SHINE A LIGHT: “Shining a light” on otherwise darkened neighborhood streets
director
Julie Dash
Cinematographer
David Claessan
SHINE A LIGHT: Images providing safe passage
The Shine a Light Project: Created a series of permanent video installations which “shine a light” on otherwise darkened neighborhood streets-providing safe passage as images of the elders with their knowing looks watch over our communities.
Conceived by distinguished filmmaker Julie Dash during her residency in Detroit, it is designed as a sustaining project that recognizes the significance of our elders to the legacy, vitality and fabric of Detroit. Our aim is to engage Detroit elders in the sharing of their wisdom, the lessons they have learned, and the history they have witnessed and made. In doing so, the project will shine a light on the pathways of our city’s history, the obstacles that we have overcome, and impart, across generations, a sense of the enduring pride and self-respect that our elders have always carried with them.
The project is undertaken in collaboration with Detroit media makers, artists, cultural and community activists, in cooperation with the Charles H. Wright Museum of African American History and the Wayne State University Dept. of Communication. The Detroit Elders project will officially launch on Sunday April 21, 2013 when Julie Dash invites African American elders and their families for high tea at at Scraps of Memories: A Celebration of our Community Elders at the Wright Museum.
The project encompasses three related initiatives:
HD Video Storytelling Project: Collected and disseminated the first person stories and pearls of wisdom from Detroit elders of all walks of life.
The Scraps of Memories Project: Encouraged all generations to collect and preserve physical objects from past generations (e.g. family photographs, letters heirlooms, and other mementos) that unlock aspects of family and community history.
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